Saturday, October 29, 2016

29 of 31 Horror Films I've Never Seen 2016: The Gift (2000)

When I was in High School and I started binging on Horror films I was given a copy of The Evil Dead.  Needless to say, that crazy film hooked me for life.  I've watched almost all of Sam Raimi's films since and have a lifelong obsession with Bruce Campbell thanks to it.  Among his post Army of Darkness films are a number of intrigues entries (as well as a few duds) but whatever you say about Raimi you can't say he doesn't have a certain way about his films that makes them uniquely his.  Even when he's treading more studio friendly ground there are unmistakable Raimi moments.  Whether it's that yellow '73 Oldsmobile, a shot of a full moon on a foggy night, or strangely slapstick humor in otherwise frightening situations, a Sam Raimi film is a Sam Raimi film.  That's what makes the Billy Bob Thornton/Tom Epperson penned The Gift so interesting.


Cate Blanchette stars as Annie, a single mother with a unique gift of extrasensory perception in a small southern town called Brixton.  She spends her days offering card readings to locals in exchange for donations of food and supplies.  After a woman goes missing, the investigators turn to Annie and her gift as a last result to try and find her.


While the plot synopsis of the film is relatively simple, what makes the gift so intriguing is the sense of Southern Gothic mixed with Raimi's stylistic elements.  A good deal of the script is spent getting to know the characters who, as people in small towns  are, have a good deal of dark secrets under their well meaning mannerisms.  Complex issues of abuse and mental disturbance abound on the periphery but all of the sub plots combine toward the conclusion making for a truly complete story.  Giovanni Ribisi shines particularly as Buddy, the local mechanic who suffers from serious mental trauma surrounding his father.


One can really feel the small town aesthetic attributable to both Raimi and Thornton's youth.  I would almost be so bold as to call it a spiritual sibling to Thornton's Sling Blade if in setting alone.  Regardless of the large star ridden ensemble cast there is a truthfulness to the characters that reads marvelously.  I found myself stunned by how much I enjoyed actors that I normally don't think much of, like Keanu Reeves and Katie Holmes.  Reeves as a truly despicable wife abusing redneck was fascinating to watch and the amount of animosity that he instills is perfect to the character.  All in all, it fits well thematically as a follow up to A Simple Plan (which starred Thornton), in it's exploration of the darkness inherent in all people.  Not as outrageous as his earlier works, but still a worthy film to the Raimi oeuvre.


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